Suggestions, Tips and Advice
PRODUCTS & TECHNIQUES
BUSINESS PRACTICES AND FINDING WORK
When I apply my shadow on the eye I notice particles fleck to the undereye area. I have tried “erasing with base” which works sometimes and using a tissue but I wondered if you had a better option.
Also what is the best concealor you have found thus far? I have used MAC pot concealor and it works great for breakouts but not so great for undereye circles. I have used base from Blasco for undereye circles but it creases -just okay on breakouts. I have used Bobbi Brown and it’s okay on undereye but I don’t like for breakouts. What have you found that works great?
Thank you so much for your website. It is so nice to have an established artist to talk to.
You can switch to a cream shadow and eliminate the problem. You can also dampen your synthetic brush (NOT A REAL HAIR BRUSH) and make a paint out of your powder shadow. I do this with the Camera Ready Shadow at www.CameraReadyCosmetics.com.
As far as dark circles; the best thing to use is neutralizer NOT CONCEALER. I suggest unless you have dark skin, Cinema Secrets Pallet 1 or 2, blue neutralizer/ Orange Highlight, this is sold in my makeup store at www.CameraReadyCosmetics.com. Good Luck.
I would like to know of the best makeup artist/stylist agencies you know of.
The best I believe would be Celestine (www.celestineagency.com) and Cloutier (www.cloutieragency.com). Sorry I don't have a web address for them. Most other agencies won't get you the money you can make on your own, they just don't have the clientele. Zenobia (www.zenobia.com) does provide a friend of mine a few jobs a year and they are non-exclusive so that's worth a try. The only agencies I can think of at the moment that I would sign exclusively with would be the Celestine and Cloutier.
I really enjoy your site. You are very informative and I also like your work a great deal... I have a question about how to 'solicit' celebrity clients. I have means to their agent contacts etc., and want your opinion on what the best way is to get their attention. Also, do you think that offering them a freebie makeup application (so they can see if they like you), is a good or bad idea? I have all the tools and marketing resources I need. Just need this question answered by you the expert :) I appreciate any help you can offer me....
You really can't solicit celebrities, they usually land on an artist through word of mouth. Sometimes they work a job and really like the artist and then ask for the same artist on other jobs. Offering a freebie to a celebrity won't work, money isn't an object with them and they do not normally pay the makeup bill themselves. What they want is someone very good and fast and someone that they personally get along with well. Contrary to popular belief, most celebrities do not have their own artist. Remember celebrities travel a lot and the artist could not have another life if they were just the artist to this one celebrity. Your chances of getting to work with celebrities would be better if you had a major makeup artist agent in LA, that's where most artists get the good jobs with celebrities.
I love your site and all the great information for new makeup artists. I would like to know what foundation you like for a dewey finish. I'm trying to build a book with a variety of looks with different skin textures. You can see examples of my work below. I'm trying to work in the New York market.
Hi Fiona - I can't believe you are asking me! your work is incredible! I use a bit of liquid foundation mixed with just a tad of tan pigment, or I coat the top of the face (highlights) with face gloss.....I have done both. Many major brands have Face gloss and pigments. Good luck!
I am an aspiring makeup artist in Kutztown, Pennsylvania. I am a junior at Kutztown University, majoring in Theatre with a concentration in Makeup Technology. I have a few questions for you about the business. First, would having a Bachelor's degree, regardless of major, improve my chances of getting work in Hollywood? Do most makeup artists find work, or do they spend a majority of their time waiting tables and being valets? Forgive my naivety, but I am just getting started, and I really need some direction, as well as a bit of reality.
Hi Elizabeth. A college degree will not help you as an artist unless you get it in marketing and you use the degree info to market yourself. Most people that call themselves makeup artists are doing other jobs, makeup counter work, clerical, waiting tables, a number of jobs to pay the rent.
The field of makeup artistry is very similar to the field of acting. Most never make it, a few make a living doing tedious, unglamorous makeup work, and even fewer get the glamorous fashion, magazine cover type work, the music videos and celebrity gigs. A lot of it has to do with talent but that has to be mixed with a bit of very good luck and the ability to schmooze and get along with people. Unless you are in a major market and have a very good agent you will probably never get much of the glamorous work. Also, like acting, the 'artists of the moment' are very rarely popular forever; the field is very fickle. Even those on the top have to fight to stay there and most will lose their popularity once the industry decides they are 'has beens' this is an industry that thrives on the young, new talent, which is only good if you are young and new, remember, nobody is young and new forever. I am trying to paint you an accurate picture, as you asked for a dose of reality. I love this career but I am in the group that makes a living doing mostly very unglamorous work because I am in a market that really is small and conservative. I make more then a lot of artists because frankly the unglamorous work pays well and is abundant. I don't however think it is what most artists bargain for when they dream of being an artist.
My suggestion is to get a degree and try the field of artistry, if it's not for you, you will have that to fall back on and it sure can't hurt you.
Something I've had trouble with is getting prints from photographers after the shoot. Also, what's some advice on making sure you get paid? Thank you for all your awesome advice!
See my article on TFP, which explains how to get prints..... If you are talking about getting prints from a photographer who actually paid you for a job, forget it, it's not part of the package. If you are concerned about getting paid by a client or photographer I would first ask you why? Is the client/photographer shady? from out of town? If you do not trust a client or photographer to pay you, I suggest you do some research before working the job. Find out who they have worked with in the past, what production people...and then ask the production people how the client pays. Most people who have not paid artists are people that make this a practice and so by doing a bit of research you can find out. If its a shoot for Nike or Gap, chances are you will be paid....If it's a shoot for a wannabe model you better get your money way before you crawl out of bed the day of the shoot. If the shoot is for a big client like Nike, don't start fretting about your payment until 60 days has past, then make a call, these large clients go through agencies, your invoice has to go through a lot of people before you finally get paid. 90 days is not unheard of. If you are ever asked to cut your rate, you can negotiate with payment, I would insist on payment day of the shoot if you have discounted your rate at all. Hope this helps.
I recommend the tall aluminum makeup chair with the pouch under the seat. It is light weight, comes with carry strap and costs under $100.00. You can call Naimies and they will ship it to you, or visit their site at Naimies.com.
How much money would you estimate a person should put into a kit,schooling, and a portfolio? And how long does it take to start making money?I decided to be a make up artist and just do not know where to begin. Where do I begin? I want to work in the music business.
To work in the music business you need to be in LA or NY (that is my assumption though there may be other places with a good music market I don't know about). You will end up with about $1,500.00 into your kit and if you go to school full time the cost is about $4,000.00 and this varies depending on the school and classes you take (you don't need to go to school in my opinion for this kind of work) I suggest for this kind of work that you take a few basic makeup classes (1 day type classes that focus on the areas you need help with) I also suggest you assist a good artist and watch her or him, learn all you can from watching others and asking questions. You will work free about 2 years while you build your portfolio, the portfolio itself is only about $250.00. Your portfolio is what gets you work, and it has to be competitive with others that have been in the business a long time. You will have to start with mediocre photographers to test, working your way up to better photographers and better photos as time goes on, this process takes a long time. As you build your portfolio, you will gain experience, you will look at the test shots and figure out how to make your work better. As your work gets better you will be able to convince better photographers to test with you. Your goal is the goal of many good artists, the music industry is a big draw for young new artists. Your competition is fierce to say the least. To make it in this part of the industry you will have to be VERY good, you will need a good agent, until then you wil need to know how to network and market yourself. I suggest you take classes in marketing and join networking type groups that will help you meet people in the industry you want to work in. I also suggest you call a few of the artists doing this kind of work and ask them to allow you to clean their brushes and carry their bags for free, this will get you in the door and allow you to be on the job and see what you really need and what its all about. You can sign up as an assistant at MakeupMentor.com to start and be sure to email the artists in your area. Also, check out the message board at TheMakeupStudio.com there are a lot of artists there and you can ask lots of questions. Good luck to you.
I've got a question for you regarding "rain days". A photographer has me booked for a shoot for a Monday and has asked for Tuesday and Wednesday as "rain days".
Now, a few days after they booked me for this I've had another offer for a magazine editorial shoot for the first rain day. What can I do about this? I can't turn down two days of work in case it rains. Is the photographer meant to pay for rain days? I don't! I really want, and need to, take the magazine shoot.
What's your take on this?
Rain days are not days anyone will pay you for and they are not days you should give up other paying work for. What I do is let the client/photographer know that I have been offered another job on the scheduled rain days but do have a back up artist for them standing by should they need one on those days. You then should find a back up artist that is available those days, someone you trust to do the same kind of job you would do.
Most people in business understand that when you are booked for work that pays, that will always take priority over rain days. Another note.......If you are offered a job on the date of the shoot you should let the photographer know before you take the other job that you are preparing to turn down a job on such and such a date and that you now need confirmation that the job is a definite go because now you will have to charge his client a 50% cancellation fee if the shoot does not happen on that date. Good luck.
Thanks for all the wonderful advice and direction. I have (through your guidance) set up many appointments with really great photographers for TFP work-thank you. My question is how do I get into editorial print work? Who do you need to contact? Any information you can give would be wonderful.
Thanks so much-you really helped me get grounded and focused on the things I really needed to concentrate on.
DeShawn Hatcher, MUA
First lets talk about editorial work, this is the lowest paid work in the industry. You are talking about $100.00 to $400.00 for a full days work in most cases. Local magazines pay about $100.00 and national about $400.00. Lets suppose you know that and are willing to take the low pay for the editorial recognition, that's fine, I do that at times but this will not pay the bills and it is work that is very sparse. Nobody makes a living at editorial work.
Now that we have that cleared up, here is how you get that work.
Go look at the magazines you want to do and right there in the credits you will see who is shooting for the magazine, you need to contact that photographer and beg him to let you do the next editorial with him, remember you will be in a long line of begging artists. Then, contact the magazine, you will see addresses and phone numbers in the magazine near the front. You need to contact the powers that be and let them know you are looking to do their next editorial lay out. This will take a lot of negotiating; you need to really get to know these people! This is not easy work to get. Most of the national magazines go through agents. ONLY agency artists usually get those jobs. You will have an easier time getting a local magazine gig. Good luck let me know how it goes.
Thank you for your wonderful website. Your portfolio is stunning, I particularly like the eye "masks" you created. The information and advice you provide is so valuable. Thank you for your generosity in sharing this information.
I am writing about the article on Makeup Schools. I am thinking of attending the Westmore Academy and I was wondering how it rated with the graduates you spoke to.
I have been trying to research the business aspect of being a make-up artist. If you have the time, I would greatly appreciate hearing from a professional if my career goals are realistic. I can only afford to take on the student loan debt if I can expect to make some decent money in my first years in the business. Is that possible, given the nature of the business?
I work in regional theatre as a director and designer. I love it, but regional theatre is a tough job if you are interested in the little luxuries of life like decent healthcare and a car that runs. I am a mask designer (www.alyssaravenwood.com) and I have been thinking that pursuing a career as a make-up artist would be a way to add to skills I already have and a good way to break into the more financially solvent worlds of film and advertising. I am not looking for a full-time career. I would like make-up design work 6-8 months out of the year.
I am confident in my artistic abilities and my networking skills, my doubts are about the industry. I have heard gloomy tales of having to work for free in order to break into the biz and long periods of unemployment. I have heard glamorous stories about people earning $500 a day and $150,000 a year. I have not been able to find any practical information about the financial realities of the business. Neal Raffler the admissions rep at Westmore Academy told me that after graduating you can get a job that pays $25-$100 an hour and people working at an assistant level can make $40,000 a year. But he is a salesman for the school, do you know if graduates of the Academy have done as well as he claims?
Thanks for you compliments on my work! I saw your masks and they are great! you do nice work as well.
The following advice to you is with the assumption you are interested in Beauty/straight makeup. If you are interested in FX, that is not my area of expertise and this would not apply to you.
Now, to answer you question about makeup schools and taking on debt. We have a big problem right now in the industry, that is too many artists for too few of jobs. I am a bit concerned with the influx of new artists that the schools are putting out into the world. Most artists like actors do not make a living in the industry. There are very few people who make more then they spend in this business and that's the truth I wish the schools would give you, I don't think most of them do.
Is this influx of new artists good for the industry? yes, in a way it is. It creates a lot of competition and that results in higher standards overall. It does tend to drive the prices down for artists and that in the long run will make this career less attractive for all but the people that really love it and are willing to do it for the creative outlet and not the money.
So, my suggestion is never to go into debt this way, chances of you paying it back with money you make in this career is very slim. I worked free for the first few years as most artists do, working free means you have to have some outside support and be able to treat this as a hobby for a while. Without this luxury most will never last. Testing and building a book does take a few years, you will never leave a school with a book worthy to show clients, you have to test with great photographers and models. I am sorry but they are not a part of the makeup school system.
As for claims of assistants making $40,000 a year. Never seen it. Not going to say it doesn't happen but that is not what I have seen. Most assistants work free. Most established artists make about $30,000 to $60,000 a year, after about 5 years and this is before expenses. Now a few top artists in the industry make 6 figures, have top agents and don't answer their own phones. This is very few, its like being Tom Cruise in the world of wannabee and even good actors in the world.
So, here is my advice if you do not have the time and money to spend in school. Follow around and assist a good makeup artist in your area. Yes, you will have to assist free. Find out if this is really what you want to do, get this person to teach you makeup, in exchange for free assisting a lot of artists will do this. Then get out there and get some experience with weddings and prom girls, this is instant money while you get experience. That's what I would do and in fact this is what I did do.
Good luck to you!
I am working on my portfolio. Some makeup artists have told me to work with photography students for a first portfolio. How is this usually done? We both provide the models, I'll do the makeup and hair, and we split the cost of pictures? PLEASE HELP!!!
I suggest you work with established photographers, the best photographers you can get. Usually they can get the models. If you work with students, you may not get good photos. Sometimes student photographers are all you can get when you are brand new and that is better then nothing, it will give you practice for one thing. Established photographers can use model clients and offer you to the model free as a beginner and sometimes the model will go for it, expect her to watch you closely and change a lot of your work in this case. Go to your local modeling agency and ask them what photographers shoot their models, they should have a list. I would then call the list of photographers and tell them you need photos for your book and would be willing to work free as long as the model is real good, don't leave out this last part. Model must be good to work free, you don't want B models in your book (Tell the photographer that you don't want Glamour and nudes because this is for your book). You should pay the photographer his price for the photos but with a good photographer and a good model you should get some good stuff. Good Luck!
Hi Mary, How are you doing? I just got a call from MAC and they want to interview me! I'm so excited and nervous at the same time! Anyways I just wanted to know if you could give me some advice. when I go to my interview for mac they are first going to interview me and then I need to do a product demo on a model. My model that I'll be doing my makeup demo on is of spanish ethnicity. She has dark brown hair with highlights, Big Dark brown eyes with double eyelids a little deep set and thick well defined brows, amazing high cheek bones , and fair skin with a yellow/peach undertone. She uses studio fix powder in NC20. Now that you have sort of a picture of her can you suggest to me what kind of day look and a night look I should give her? I need advice on what paints, eyeshadow, lip liner, lipstick, and lip gloss to use on her I was thinking of using buff for her blush. Thanks for all your help!
PS. Can you give me any tips on just the interviewing part itself too? (=
Mac knows you can learn to do makeup no matter who you are. My guess is they want to see you interact with the client. Be friendly, and explain every product you are applying as if it were just invented and the greatest thing to hit the planet. Appear comfortable as you apply the makeup and put your client at ease with chit chat about her!!! ask her questions like, what are your favorite eye shadow colors? compliment every nice feature, "you have beautiful cheek bones, MAC Desert color will be perfect to play them up" you get the picture. They are not looking for a great artist, they are looking for a great sales person. Practice with one of your friends in the chair as you apply makeup. The colors you have chosen I am sure will be fine, just blend well, and be a perfectionist, don't let nerves prevent you from doing a job you are satisfied with. You might even explain if you are nervous that "I am very nervous because this job means a lot to me, so please excuse the shaky hand". Keep in mind MAC artists do not make a lot of money, it's a pretty lowly job as an artist, you're in fact not an artist, you're a sales person. Good Luck!
<Posted question on message board>
Ok, here are some terms you may hear:
Last looks = get in there and do your finishing touches they are going to start rolling camera.
Finals or Final touches = See last looks above
Speed = the cameras are on and waiting for the rolling command
Rolling = you will be severely reprimanded if you make even the tiniest noise after this call, they are filming.
What's your ETA = "When the hell are you going to be done, talent has been in your chair over 5 minutes!"
Hot Spot = if they are talking to makeup, they mean a shiny place on the face
Dailys = what was shot that day (film, video) usually used when doing TV and film (the producers will review it)
Talking Head = you will just have a upper body type of shot, think TV news interview inset interview.
On location = anywhere not right in the studio
Its a wrap = The shooting is over for this project (completely)
One more for safety = they will do a retake of the last segment or shot just to be safe
One last time = NEVER means one last time - Probably like 10 more times
Key= the one in charge of makeup or hair or both, Key makeup and key hair are normally separate people
Set kit = the kit you carry with you out of the makeup room
Kit fee = fee you will get for your product usage, this is a TV/VIDEO/FILM practice and not commonly found in the print business
Tear sheet= ad or magazine page you will put in your portfolio
Eye candy = the chick added to the group of guys or back ground girl added to the shot to get attention, like the girl in a bikini holding up numbers at a boxing match.
Clean makeup = they don't want to see the makeup, very natural
First hold = client has a hold on you for a makeup job, you will notify them if you get another offer, at that time they need to confirm or let you go
Call time = time you need to be at work
Craft Services = the people that provide the munchies (the most important people on any shoot)
Mike the talent = the sound guy is going to hook a microphone to the talent
Continuity = you need to make the talent look exactly like they did in the last shot in this particular scene, even if its 2 weeks later, better take good notes and a Polaroid!!! DIGITAL if you're reading this in the modern ages
Check the gate=in video/film the camera man will check the film before moving on, to make sure the last shot was good.
Gels = the photographer and the TV camera crew put film over the lights that will screw up your makeup (usually used in-doors). when they use blue they hate you and want to make you look bad
Blow him out or blow her out = the lighting is so bright the talents features will disappear; better use more color and contour.
HDTV or High Definition TV = you will forget everything you know about makeup, you now have to make the person up so that they look great to the naked eye - what you see is what you will see on the TV or film.
The model needs some CFM shoes = If you don't know what that means you're better off! High spiky strappy shoes that you might see on a hooker.
Glamour shoot = one where the model has a great figure and the photographer is going to try to see more of it. Ok, now I have offended all the photographers on the board, I will add that the model is usually going for this look and the photographer has grudgingly agreed to do the shoot. There is usually very little money in this for the artist.
Artistic nude shots = see glamour (above) with different lighting.
Money shot= In photography this is the shot that will bring in the money, the cover shot, the best shot.
Beauty shot= when shooting a product, this is a shot of just the product, no models or talent. When a people photographer says "beauty shot" it's a close up head shot usually.
Abbey Singer= shot before the martini
Stepping in= what you say when you are stepping on to the set in front of cameras - NEVER do this while they are rolling
FLASHING= ALWAYS say this on set when you are taking any kind of flash photography, and say it loud enough for people to hear you- otherwise be prepared for a lot of angry faces and reprimand.
Losing light= means that you are using the natural light available for the shot and time is running out to get the shots required.
Closed set= only people who need to be on set are allowed on set
Lock it up/ locking down= they are moments away from starting, so now is not the time to go to crafty.
Turnaround= can mean two things: 1) the camera is moving to shoot the other side of a scene or 2) the amount of time you have in between shooting days.... for example you can have an 8 hour turnaround
Forced call= you mostly will find this with union projects- basically depending on your contract, you are guaranteed a specific number of hours in your turnaround- so say for instance you have an 8 hour turnaround and production gives you a forced call (cha-ching) and you only get a 7 hour turnaround- they will pay you extra for the time they cut into your turnaround- a.k.a. forced call
HOT POINTS- this means that somebody, somewhere is moving something that can hurt you, and being on a set, they are moving it quickly- ALWAYS move out of the way when you hear this. Don't expect please or excuse me's- just move- it's for your own safety.
Video Village- the group of people that sit around the monitors- if you can get a seat there, make sure all the other higher ups have gotten their seats- typically vanities stand at video village.
Advertorial= this is an editorial where someone is actually using it as an ad.... it's like brand placement you see in film and TV but in print.... If someone shows up on your editorial and insists that you use this or that product in the photo it's probably an "advertorial" and you should be making more money (full commercial rates). The magazine can choose to use their sponsor's wardrobe and that's smart but when they start insisting that the model wear "this exact necklace" or "this purse must be in the shot" regardless of how it flows, you are probably on an advertorial shoot. The biggest difference is where the money comes from. In an editorial the magazine pays for the crew, in an advertorial the magazine may agree to add the sponsor's product if they buy an ad in that magazine or pay them in return for product placement, this turns the editorial into an advertorial.
Hard out = the talent and/or crew needs to be packed up, cleaned up, and ready to go at a specific time, and not a minute later.
Grace = when production asks you to delay your specified meal time so they can finish up a scene or shot before the crew breaks without incurring meal penalties (i.e. paying you extra).
Sorry these are not all makeup terms but terms everyone needs to know.
<Posted question on message board>
A set bag is a small makeup case (or it can be a bag). I use a mini case. My set kit has the following (these are not taken from my regular kit, these are always in the set kit, duplicate products):
This all fits in a tiny kit, that's all you need for touch ups on location.
I've got a question for you - on your rates page you say your editorial rates are negotiable. Could you give me an idea of what you charge in comparison to your commercial rates for editorial? What kind of jobs do you consider "commercial"?
editorial rates depend on who the client is. National Magazines pay anywhere
from $200.00 to $350.00 for a photo shoot that lasts anywhere from 2 to
8 hours Local magazines pay about $50.00 to $250.00 for a shoot. The compensation
comes in the fact that they put your name in print in the magazine.
Yes I do all the makeup on photos I post. I would give tips on the page but it is hard give a general tip that would apply to everyone. If you have any specific questions on application I would be happy to answer them.
I am just starting my career as a make-up artist and was wondering if you can be real honest and give me some advice. My mother's friend has been trying to get me to sale BeautiControl Cosmetics, it is a line you sell like Mary Kay. I am good with makeup application and she says I can sell makeup and have fun doing what I love at the same time. My goal is to do TV and Film as soon as I finish a bit more training. I am currently helping in a photographer's studio doing makeup for his clients. I do admire your work and your advice and would appreciate any advice you can give me.
Los Angeles, CA
This is a subject I have honestly been trying to avoid on my Q&A page but I have so many letters like yours that I think it is time I give my opinion on the subject for all to see. I have been trying to avoid it because I know a lot of good artists that sell makeup of one kind or another. I do not know of any professional artists that sell makeup they do not use on TV, Film, or Print work.
This last sentence is the key. If you are a professional artist doing TV, Film and print work you know that you cannot use just any makeup. BeautiControl, Mary Kay, Avon and other makeup lines such as these just won't work. The pigment isn't right, the colors are not right and they don't work in a professional environment, How can you sell makeup that as an artist you know is not the best for your medium (print, TV, Video, film, etc.)?
NEVER try to sell products to clients you will meet as a professional artist (when you are on a paid job) this will get you fired.
If you still want to sell BeautiControl email Olga at email@example.com She is the one I would sign up with if I were going to sell any products. Don't just sign up with anyone. You need the support of a person who is ethical and kind, I know that Olga would be a good leader and would give you the support you will need.
Thanks for all your valuable tips. Starting out as a make up artist in Switzerland is difficult as there is not a lot of information available. I therefore often rely on great websites like yours on the Internet. I’m intending to get Joe Blasco foundation to go in my kit, but he has such a big choice where do I start ? As most of us I don’t have a fortune to spend and have to pick a few basic colors. Do you have any suggestions ? Which ones are a ‘must’, which ones ‘nice to have’. Look forward to your reply!
Regards from warm and sunny Switzerland
These are the foundations I have in my kit:
Cinema Secrets Palettes 1,2,3,4,5,6,7,8,9,10 this covers every possible skin color in easy to use pallets (you can find these at the Makeup Store)
I only use cream. I do use moisture with cream if cream seems to heavy for the person but I stick with cream, it's easier to tote around I like working with cream better then liquid as well because I can turn a cream into a liquid but can't really turn a liquid into a cream.
Hi. I have seen you answer stuff on 411, which is amazing b/c you are very generous and specific w/ your answers even though you obviously are very busy- thanks! I am a regular person, not a model or professional or anything, but I have a love/hate relationship with foundation. You recommend cream foundations - I live in a hot, humid climate and would be worried they would either slide off or crease and cake up under the thin skin under my eyes. Powder usually grabs under my eyes too, even though I'm only in my 20's. Suggestions? Thanks!
I am not busy at the moment, I am in the middle of Pikes National Forest in Colorado. I am taking a very long vacation from the rat race. Try Max Factor facefinity, you can get it at Longs, and other drug stores as well as a few grocery stores. You will love it. It stays on well, is a liquid but still covers well, won’t melt off even in humid weather. Great for everyday makeup. I however would still use Cinema Secrets myself, it is not oil based and is one of the dryer creams, I have never seen it melt.
Hello. I recently graduated from makeup school. And I'm looking for some assistant job, though no luck so far. Do you think it's good idea for me visit major TV, movie studios to know if there is a makeup artist who is willing to take assistant? Or it's so hard to meet makeup artist when I just visit like this? I'd be very happy if you can answer my question.
Have you added yourself to the Makeup Mentor page as an assistant? if not, do that first and contact a mentor in your area. Let them know you are willing to work for free for a while so that they will see you are worth working with. When you are ready to work on your own then you need to visit people that are in a position to use you. When you are new it is easier to go for smaller projects like independent films etc. Visit small time photographers to get experience. In my opinion and in my experience beginners make a lot of mistakes that are best made with small jobs and not big money jobs. You will ruin your reputation with potential clients if you take them on before your ready. Your best experience will be with high volume, fast paced work like a photo studio doing senior makeup, or bridal parties, or a small film doing the extras, anything that allows you to do a lot of makeup one after another.
You will know when you are ready to move up the ladder but don't move until you know your ready. The biggest mistake you can make is to take on responsibility you aren't ready for and getting a bad reputation. So take it slow and start small, your education has just begun. Good luck to you.
am interested in becoming a make-up artist, and I am interested primarily
in print work. I am in Seattle, but plan on attending school in LA. How
essential is to live in NY or LA when you are in this business? I would
like to stay in Seattle, but I want to make sure there will be enough
work for me... Any advice is appreciated!!
I recently visited your Website and I thought it was great. Some of the effects you can make are amazing and some are really glamorous. I am 14 years old and thinking about careers. I am seriously interested in becoming a make-up artist and hair stylist. All of my friends ask me to give them makeovers all the time, especially if we are going to parties. They all said I they like the way I make them look. They also ask me to style their hair. Even my family have commented that I am quite good. I wanted to know how you got started and how you became so successful. Also how did you become so good? I was also wondering what the average salary was? I read in a magazine that make-up artists can earn from £250-£1000 a day! Is this true? I'm not sure how much that would be in dollars though.
You get good through practice, lots of practice. We learn from our mistakes and we keep learning until all of the mistakes have been made (that's the rest of your life). The better you get the more money you will make (if you have a good business head on your shoulders). Most artists do not make a lot of money it is only the few that know how to market themselves and make friends in the business. In high school take as many art and marketing classes as you can. Business classes cant hurt either.
If I had to do it all over again I would get a degree in marketing with a minor in Art, that is really what you need is to be a good business person even more then a good artist because most of us freelance, that means we are our own boss and have to know how to do everything, billing, advertising etc. Stick with it if you love it because it is a great and fun career!
I came across your websites many moons ago and think its brilliant...you are very talented ,which brings me to write to you.... I'm hoping you could help answer a few questions I have....
would like to start submitting résumé's to try to get involved in films
and TV productions and music video's... I'm not sure exactly what to do....I
do not know what information to send... do I send my resume with rates??? do you have a typical letter that you send??? Is it possible for me to
look at it???? I hear a lot of talk about the union... but still no one
really gives me really any clear information....
Your work is awesome. I do not suggest that you send letters out or resumes. Call and ask for an appointment to show your book. Call only top people and forget the small-timers. Bug the top people until they will see you then show them you book and make a good impression. Keep calling them if you have to. When they hire you.... be awesome, early, and always reliable and make everyone comfortable while your working. Keep in touch with your good clients. Make friendships with other artists so they will refer you when they are busy, this is very important! Make sure all the other artists like you and view you as a team player. These are the things that matter even more then how good you are. GET OUT THERE! And good luck.
Thanks for sharing your passion and knowledge; your information has been inspirational. I've been a hairstylist for 12 years and have been playing around with makeup for 5 years. I've decided to take my business to the next level. I've have a few questions regarding a hard copy portfolio: Where can I purchase a professional quality portfolio (I can't seem to find one locally) What size photos do you recommend for the portfolio? Do you recommend having two or more of the same? Any other advice in this area would be greatly appreciated. Thanks a bunch.
I use an 11X14. I got my portfolio from House of Portfolios in New York (212-206-7323). Others I hear are good, Brewer Cantelmo in New York (212-244-4600) and Advertisers Display in NJ (www.adbportfolios.com, 800-489-3246). I have my name imprinted on the front, and I think the book cost around $200.00 four years ago. I suggest getting the best quality that you can afford - cheap looking books do not impress most clients or photographers. I have 3 portfolios: one for commercial clients, one for photographers, and one editorial. You really need to gear your book to what your viewer is looking for. A photographer looks mainly at the photography and not makeup and hair. A catalog client looks at your overall style to see if it is fitting for their image. Regular people such as brides love "Before and Afters." You should only have "Before and Afters" in your bridal book, if you do brides. Good luck and I hope this helps.
A makeup kit is given to you at some of the schools, included with the tuition. If you decide not to go to a school, or if you would like to get your own kit together, you will need to decide first what you will need in the kit. (See answer below.) The best advice I can give about a kit is that you need to keep your portions VERY small. A lot goes in to a kit, and it can get heavy and hard to lug around. I carry mini-portions of everything in my kit and I restock it often. Palettes are important. I also have a set bag that is always packed and ready to go. A set bag is what you take on location. Let's say you are at the studio doing makeup and everyone decides to run to the park for a couple of shots. You have no time to pack a bag, you must always have a set bag packed and ready to go. The set bag would be everything you need on the set - powder, blush, lipstick, hair brush, hair spray, sponges, brushes (just a few), tissue.
Now the trick is getting the large makeup into mini-palettes. You best bet is to buy foundation in palettes (all the colors in one easy tray). RCMA and Cinema Secrets come in premade pallets (www.camerareadycosmetics.com). Cinema Secrets has lip pallets as well. Powder is transferred to small plastic containers that stack.
I would like to start working in an upscale salon under the makeup artists to start up my career as a makeup artist myself. I thought this would be a good way to continue learning/training. Can you recommend me some famous/good salons in the Los Angeles area with good artists? Can you also give me some pros and cons of this approach?
I am not familiar with upscale salons in the L.A. area. I do know that most successful artists are in the film and print industry and not in salons (but there are exceptions, I am sure). If you want to get practice and knowledge in the industry then I suggest that you do as much hands-on makeup as possible. Do weddings, proms, work a makeup counter; work where you can do a lot of faces. You can also sign up as an assistant on MakeupMentor.com. I use assistants about twice a month, and I think there are other mentors that will use you occasionally as well. My problem with the salon idea is that I am afraid you will not be learning from artists that are doing the work you aim to do, if you are interested in film, print, etc.
You also need a license to be in a salon, which means that you need to go to cosmetology school - and that will not help you as an artist at all. If you want to be an esthetician, your place would be a salon, and you would need to go to cosmetology school.
Good luck to you!
Just wanted to ask: What do you recommend a makeup artist should include in their kit?
I am asked this question so much that I have sat down and
gone through my kit and here is every item in there. Hope it helps.
My name is Shalcy Robins. I was wondering if you could tell me how much a fashion stylist makes. I am very interested in working with fashion; I need to know this information because I am doing a school project. I you might know can you please tell me what the beginning salary is and also the highest amount you can get paid being a stylist?
Working as a stylist can be freelance (self employed) or you can work for someone else. You will usually make what you are worth to who ever you are working for. The range is wide. I know people working for minimum wage out of fashion school and I know people that have never had formal training that make over 6 figures a year as stylists. You are an artist when you are a stylist and like most artists, most are not paid well, thus the term “starving artist” A few will make a living at it and fewer still will get rich. You do this kind of work because you love it. Not for the money!
First of all I want to say thanks for sticking up for makeup artists that live in the valley! I love your site, its great! My question is, how do I break into doing makeup for music videos and CD covers? Who do I deal with?
I do not get much of that type of work here in San Diego. I suggest you check the 411 directories or one of your local production books. Usually photographers use their regular makeup artists for CD covers. Get in with a few good photographers, do small projects with them and when they get the good work they should call you. There is a lot to be said for loyalty; you need to grow with the people you work with. If you see potential in a photographer stick by him or her like glue and he or she should do the same when the good work starts coming their way. This is how I have done the 5 video covers in my portfolio.
I have many questions for you. I can't seem to get a straight answer no matter who I ask. So, if you could I would greatly appreciate it.
I live in Morgantown, West Virginia, I can travel to school to become a makeup artist but there is really nothing around. DO you have access to schools in PA., or even know of any?
I would like to do bridal makeup during school for added experience, but do I need a license and how would I get one?
Can I build a portfolio from a bridal work? It wouldn't be professional but I don't know what else to do.
I am sorry I know nothing about the schools in PA but do check out the teacher’s credentials at any school. You want to learn from someone who is good and successful. You can check out MakeupLessons.com and see if there is anyone in your area, that would be my first move.
You do not need a license to be a freelance artist for the entertainment industry in California. You do need a license to work in a salon. You need to check the laws in your area, they are different in each state.
No, you can’t build a portfolio from bridal photos that you can show clients unless those clients are brides. Your portfolio should be made with real professional models and real good photographers.
I admire you for your work, for your tactfulness and your humanity. I know that you have heard my question so many times but I hope you are willing to help me. I have checked out so many schools via the Internet, read all the information over and over but it's difficult to decide which school is best. I'm living in Switzerland and its impossible to figure out how the instructors are. I know that you get out of a school what you put in it and I'm so ready to do so since that is all I can think about at the moment. I tend towards Westmore, Makeup Designory or Complections International in Toronto. Do you have any advice for me? Thank you very much in advance. I wish you every success and take care.
Thank you for your kind words. I wish I could help you with a school. I do get this question a lot. The schools are changing all the time, one school is the favored one week and another the next. I would look at the instructor’s credentials at each school. There are a lot of cases where “those who can’t do teach!” Not always of course but do look out for this.
Keep in mind that a very good artist makes a lot of money and schools are not going to pay this kind of money to a teacher; they would go out of business. So who teaches? That is the question I would be asking. Unless the school has instructors that are well known in the field they teach you are going to need more training then what you will receive at any school so don’t look at school like the last step into your career, look at it as just one step of the learning process should you take that road. I would choose a school by the instructor’s credentials. The instructors should have a great resume and portfolios and they should be on line (not hidden from the public) they should be well known in the makeup world. You should verify this by checking out the credentials of the instructors. I would also insist on the instructor I was promised, schools have a reputation of switching teachers on the students, they also have a reputation of exaggerating the instructors resume, if its not on the internet for the world to see I would question it. I would opt myself for private tutoring, this is how I learned; I am not a group learner. Try MakeupLessons.com for instructors in your area if this is of interest to you.
I update my portfolio every time I get a great new photo I love. Some of the stuff I have is very old but if I like it better then anything new I keep it. The rule is, no more then 15 awesome photos. You are as good as the weakest image in your portfolio. When your book is being reviewed that is the photo most people look for, that tells the viewer what you consider your best work and what they can expect out of you at best.
In a small market you are better off if you do both, I have yet to meet any artist that does both real well, everyone is stronger in one art then the other (in my circle of acquaintances anyway) I consider LA and NY the only markets in the USA that you can get away with doing just makeup and still make a living. To be honest, I don't like hair much either but over the years I have gotten pretty good at it. You have to work at it and have some freedom to play, so do it when you are testing or just play with hair whenever you have a willing subject. Don't be afraid to make mistakes! I have also found that classes do a little good but not much, you really have to just get it there and have fun with it. Look at photos and see if you can copy the hair you see. You would be surprised at how easy some of the stuff you see is. Good luck to you.
I have a hard time doing both eyes, one always looks perfect, and one looks less than perfect. I think it is something to do with the position I stand in when applying, how do I help this other than practice, if there is a way?
Kansas City, MO
Make sure your subject is facing the light head on. Make sure one side of the face is not in shadow. Make sure also that you stand at the side of the eye you are doing. Do not try to reach over from one side of your subject to do an eye on the other side. It helps some artists to have their subject face a mirror and then look into the mirror to see if the eyes are even. This does not help me, I never use mirrors for anything, not even hair. I hope this helps some. A lot of artists share this problem and I wish I could pinpoint the problem. Try the approaches I gave you and see if you can figure it out.
This is the formula to judge an agency; if even ONE of the answers is yes then you do NOT have a good, legit agency.
Did you answer yes to any of these questions? If you did you need to keep hunting for a good agent!
I have a lot of loves and hates in this profession. I will start with my dislikes, the word hate is too strong, I do not hate any part of my job. I dislike:
I dislike the large egos I sometimes have to work with (this is rare but it is part of the job).I dislike waiting to be paid and wondering if I will!I dislike sitting around in a studio with no windows all day just waiting for talent to shine so I can powder and look busy.I dislike having to carry 3 heavy cases and a makeup chair up stairs and all over the place.I dislike being told by a model or actor how to apply makeup on them.
I love the really fun people that I get to work with. Most art directors and photographers are a lot of fun.I love the freedom I have to make artistic decisions with the hair and makeup.I love the fact that no 2 shoots are alike, there is a lot of variety in what I do.I love the look on the faces and the compliments I receive when the client, photographer, talent etc. are happy with my work.
I love to be my own boss and work when I want and charge what I feel I am worth.
I think your site is great and I thank you for sharing your knowledge! My question is; how do you achieve the look of a flawless complexion?! (as I've found, even professional models don't always have great skin) What products and brands would you recommend for concealing and managing skin imperfections (for light-dark complexions)? Thank you soo much!
That flawless look you see in magazines is usually a model with great skin to start with and if she does have discoloration or blemishes its a combination of heavy cream makeup or airbrush makeup and computer touch up. For everyday wear I recommend a good light cream makeup like Cinema Secrets or RCMA You probably still won't have flawless skin unless you are close to it already. Photoshop (computer) cleans up the imperfections real quickly and easily but that won't help in your day-to-day life.
This article on the subject is worth reading. Click here to go to the article.
Try War Paint Magazine. Also, check out www.TheMakeupStudio.com message boards for updated show info. There are artists talking about them well before the show dates.
I get a lot of calls and email from people wanting to break into the business and wanting to assist. Most of the time I use them a few times and never again. This is what most artists I know as well as myself look for in an assistant.
1) An assistant should make the key (or the artist who is using them) look good. What ever it takes, help with whatever he or she needs, and always watch to see what it is he or she needs.
2) Never be late to a job, I am always about 20 minutes early, I sit in the car and read or make calls. This way if there is trouble on the way I will still be on time. This is the least you can do.
3) Never handout your card, or make buddies with the art director or production staff. This will insure that you will not work with the artist who hired you again. I know you are looking for future work, but do it on your own time, and best not to try and take it from someone who was nice enough to get work for you.
4) If you are sitting relaxing while the key is working there is a problem. Unless the key asked you to please sit down and take a break you should be working at least as hard as he or she is.
5) Invest in a kit (all the supplies you need to work on your own) If you are lacking supplies you will always be just an assist, no one will want to refer you for a job if you do not have the supplies. I have had so many "artists" call me and tell me that they are artists looking for work but do not yet have a full make-up kit. That is like a photographer without a camera, no one will take you seriously if you have not invested in your career at least this much.
I started as an assistant and this worked for me, I was a popular assistant and finally the artists stared giving my name out when they were busy. Established artists are where your best work can come from so treat them well.
Never talk poorly about another artist, it will come back to haunt you. The last thing you need is any artist (even a bad one) to harbor resentment toward you. The more friends you have in this business the better you will do. Try not to look at other artists as your competition, look at them as you colleagues and you will do a lot better, and be happier, you may find your best friends in this business. I know I have.
There is no License in California for freelance makeup artistry. If you cut and color hair you need a cosmetology lic. If you do makeup in a salon you need a cosmetology lic. Most professional makeup artists (TV, film, Photography) do not have cosmetology licenses. I see no need for one unless you want to do hair in a salon, or if you want to work in a salon.
After seeing your website I realize as a new make-up artist I have a lot of work to do! I just moved to LA from Boston where I work as a regional make-up artist for Chanel and then for Lancôme. Before I moved I was working for Aveda in a Day Spa and a Lifestyle store. I've also been doing brides for about 7 years (I'm 28)... Trying to get started in LA has been pretty tough... I'm currently working on a new portfolio (my old is one is just that, old) . Do you have any advice?
I loved your work... especially the transformations. Thanks for reading, and good luck to you... I am a fan!
Thank You! The transformations are my favorite as well, keep in mind however they are not part of the portfolio I carry, for some reason this is seen as unprofessional (I have no idea why) so I only put them on my website. It sounds like you are on the right track with your career; putting together an awesome portfolio is your first step and the most important. Make sure it is only about 15 photos and make sure that each photo is great!! Make sure ever photo in your portfolio is good photography a good model and of course great makeup, hair and styling. Big mistake a lot of artists make, is that they chose photos with good makeup and hair and take the photos out to show photographers who are turned off by the photo; they do not even notice the hair and makeup. This mistake cost me a lot of work! Do not bother to work with a photographer or model that will not produce for you very professional prints. This will be one of your toughest challenges.
I loved your site. You do excellent work. :-) I was wondering if I could get some information from you. I am interested in becoming a stylist. How did you get started? Did you have any special training? I am a recent graduate of the Fashion Institute of Design and Merchandising, with a degree in Fashion Merchandising and Marketing but was wondering if that was enough, or if there were any special classes I should take. Any information you could give me would be appreciated.
Thank You for the nice compliment, I am asked this question a lot and you will find the answer probably not what you would expect.
In San Diego most production companies and photographers do not like to hire Makeup/Hair and Wardrobe stylists separately. Most would prefer to hire a makeup artist that does hair and wardrobe, as this saves money and we are not a big commercial market like Los Angeles and New York where the budgets tend to be bigger. Consequently over the years as a makeup artist (over 20 years now) I learned to do hair and wardrobe styling. I learned by watching others and by using my own creativity that I believe comes naturally to most artists. I never did go to a fashion school of any kind but I grew up spending hours a day cutting out photos of models clothing styles that I liked and going through every fashion magazine I could find to view the styles, hair and makeup.
I do not want to imply that fashion school is a waste of time, learning is never a waste. Please keep in mind also that I am not primarily a fashion stylist. I consider myself first a Makeup artist and this has always been my main pursuit, fashion styling just happens to be part of that job description where I am located.
Good Luck to you!
I am a freelance make up artist and have been for 5 years. I have a problem that only occurs once every 4 or five months. Can you think of a reason as to why when I apply foundation to some darker skin types it seems to get absorbed rapidly by the skin causing it to look blotchy?
I have found this problem with people using any product on their skin that makes the skin peel. Alpha Hydroxy and Retin A users usually have skin that is peeling in places but you can not see it with the naked eye. The foundation will adhere unevenly to the skin, be sure and moisturize the skin well before application of your foundation on these people. Now with dark skin I do not recommend moisture because normally you will find it to be oily skin to begin with so try an oil control gel or cream so that you have an all over even skin texture to start with. One more tip with dark skin; if I have an African American client with pretty good looking skin I try to just even it out with coverage only in the needed areas, I try to avoid foundation all over the face if I can.
Thanks for taking the time to answer my question. I have another for you. What is it in some foundation that can cause a white cast or masked look when a picture is taken. I mean, the color is not too light but when you look back there is a white masked effect left.
Very good question! Makeup has a different light reflective quality then does the natural skin. When doing makeup for the purpose of photography always match the face to the chest and not the neck or chin area unless it is just a head shot, this gives the model even all over one color. A lot of times this will make the face a few shades darker, that is ok as long as you do not ignore the neck and ears and make sure your coverage is complete. When you powder go all the way to the chest as powder has its own light reflection qualities. One last thing, make sure your foundation is a high pigment foundation so you are not using too much and covering the natural skin too heavy. Try Cinema Secrets or RMCA cream foundation for photography, these are my favorite, though any high pigment, professional cream foundation should work. Make sure your powder is translucent and does not change the color of your makeup. Try oil blotting powder by Camera Ready Cosmetic.
I looked at your site and thought it was great. I was wondering if it wasn't too much trouble if you could give me some advice? Maybe some words of wisdom of things I should be doing, things I should avoid, or things I might try. I live in Toronto, Canada. I don't find it hard to get work, but I don't have a car at the moment and I'm not really advertising myself yet until I'm more mobile. I was also wondering if you could tell me what type of products you use and recommend?
Thank you for the compliments on my site. That is the work of a great Webmaster!
You will have to have reliable transportation in this business so I would suggest you have that before trying to secure work. I do not know a lot about the Canadian film industry and I really stay out of the film industry here because it doesn't pay well. The film industry is great if you have a lot of stamina and energy for the long hours etc. I don’t. I enjoy the short photo shoots and 1-day commercials myself. I like a slow pace but it is hard to compete in the business of freelance that I have chosen.
You asked what products I recommend. Well, I use a lot of different products. I use Cinema Secrets and RCMA mostly for foundation. I like the Camera Ready powders, blushes and shadows. I use Cinema Secrets lipstick and Max Factor 2000 Calorie Mascara, those are my favorites but I am not real loyal to any product; if it works I use it and the less expensive the better.
You also asked for general advice on the business. I will refer you to my questions page where I have answered this question but will add here that it is important to surround yourself with people you can trust and that you admire and try not to look at other artists as your competition, picture them as your friends and colleagues, they can be of great help to you and you can help them. Artists that stick together and help each other out do better individually as well.
Good Luck to you, please write me if you have any further questions.
How much should I budget for a Hair and Makeup Artist? Do you do both - or do I have to hire another person that just does hair? What is a common rate for headshots?
Thank You for the compliment!. Your price for a makeup artist will be different depending on the market you are in and what you need. If you are doing a commercial shoot in San Diego your artist will cost about $600.00 to $700.00 a day. If you are in Florida doing the same shoot that will be a few hundred less. Los Angeles would be one of the highest in the country right now. I am not sure about Hawaii but if you call around to a few agents you find out quickly what your average price would be. To answer your question on hair, most make-up artists do minimal hair styling for shoots. You will find a few like myself that do both on a regular basis. Most artists charge about $100.00 to $200.00 to do the hair and makeup and go. I find here in San Diego that most of the talent find this price reasonable and do not have a problem with making this further investment in their career. If they think they can do it on their own they are wrong and have not done the proper homework on the career they are attempting to enter. Seasoned talent never question that they need an Artist.
There are a few ways you can find a good artist. Contact your local film commission for names. Contact other photographers in your area that use artists, your best source would be high end commercial and fashion photographers in your area, they will know who the best are.
There are a lot of question you should ask I will give you a few of the most important ones:
Look through their portfolio and pick out a few very impressive photos, ask who shot them and then call the photographer to make sure the book is valid and that the artist consistently does a good job. There are artists with photos in their book that they did not work on, you need to verify that this artist has her or his own work in the book.
You might ask the following questions:
Artists trained in print tend to cost more and be a bit more exacting, these artists are perfectionists. Don’t ever settle for a TV trained artist on a print job unless you can tell by looking at their portfolio that they are very good with print makeup. If you are on a budget and find a cheap artist, chances are you have found a TV/video/film artist and chances are you will NOT be happy with the makeup they apply for photography.
A few musts are:
Probably the artist applied a foundation or powder that was too light or had too much pink in it. If you think the client looks ashy, take a Polaroid and check it out ask the artist if he or she thinks it looks ashy. This problem can be fixed with a powder that matches the skin usually. That is why you need to have dark powders on hand. Camera Ready Cosmetics has a very dark color. Not every artist has a variety of powder; If the artist does not do make-up on a lot of African American clients they may not have real dark powder so be prepared to have a few supplies on hand!
I am a new fashion stylist and I would like to know if there is any advice you could offer me. I live in the Atlanta area. This is where my heart is at and I am determined to be successful at it. Thanks so much, your portfolio is very impressive.
I am going to cheat here and give you the rules I try to live and work by, it is Keough's Commandments for LOSING by Don Keough, CEO, Coca-Cola. Keep in mind these are rules for losing not winning.
1. Quit taking risks.
Beyond those basic rules for losing, here are some basics for winning:
Never be late.
This covers what I consider important to succeed, the things they don't teach you in fashion school or make-up school, and that is a shame. Good luck to you!
Hi Mary...I love your site. It is a great source of information for someone like me who has just started out in this business. My question is, how important is air brushing in the industry now, the reason I am asking this is that I am about to enroll in a workshop that teaches airbrushing and it is not cheap. what is the scope for it in the future, is it worth learning or not? Thanx
Yes, it is worth learning but all classes are not worth taking. Make sure you are taking a good one and not one that's over priced. Suzanne Patterson has a great class, I have taken it myself. Her website is www.creativeartistryfx.com. Knowing Airbrush is valuable because a lot of people are requesting airbrush, you need to be ready in case you get that request. High Definition and brides are both instances you may be asked to airbrush. Good Luck. Mary
Hello, could tell us whether the modeling company that our daughter joined up with is legitimate. The company says it is a model management company rather than an agency. They are called _________. I appreciate any opinion you might have! Thank You
Mom in San Diego
I hate to tell you that ________is a waste of time and money....it's not necessarily a scam but they DO NOT get models work, they may say they do but they do not... Most paying clients go to agents rather than websites to find models...they may go to an agency website to look at models but then they hire them from the agency.
These are a list of legit agents in San Diego, the ones that get models work (paying work) -- List deleted here (please email me for the list Mary@themakeupartist.com)
I just visited your website and it is the best website I have every seen. I really appreciate that you take the time to answer questions and give tips to aspiring/up and coming artists. I was just recently asked to do an advertising TV shoot this coming Wednesday and I'd like to get your opinion on what are the best tools to use for a client/talent who perspires profusely during the shoot? We are shooting a pastor and I've noticed that he's frequently sweating when he speaks (similar to Whitney Houston). Should I be using kleenex to wipe him down, as blot sheets look too thin? What would you recommend in instances where you're working with someone who sweats a lot especially under the hot camera lights? Please advise. I really appreciate it.
I blot with a towel, then I powder if he isn't too sweaty You can also get the paper toilet seat covers to blot... they work just like blotting paper but will save money in this case.
Editorial is cool. But my thoughts on make-up are so much simpler than that. My dream job has always been making up the news cast. Preferably, an nbc, cbs, fox one.
I'm not even sure how I would get on this road. I know it would be a long long way away. But I'd like to start getting the experience I need to someday have that job. I'm not sure if I should be trying to transition into film..?
Sorry this is a little vague. I see the goal but the entire path is unknown. Like I said, I don't expect to reach this goal in the near future but would like to, at least, start working towards it.
Any advice you can offer would be great!
You would need to be in NY, Chicago or Atlanta, perhaps Miami... as far as I know thats were the major stations are located.... local stations don't usually hire artists on a regular basis... Your best bet would probably by CNN in Atlanta, they employ a lot of artists.
So I guess your first step would be to move to one of these cities if you are not already in one. After that I would start contacting video people and small satellite stations for experience. You can Google the major stations and find out where their satellite stations are located...most major cities have satellite stations, just keep in mind they have independent names so you have to do a little research. Check out your local film commission guide or call your local film commission office, they may know. Good luck!
We all have these issues and generally the darker the skin the more you will get shine, my suggestion is using one of the CRC loose powders (we have some dark colors) and then pat with dark antishine over the powder.... just a little antishine and not all over just on hot spots... you will have to continue to powder throughout your shoot. You can fine the anti-shine at camerareadycosmetics.com/products.php?cat=85 and you will find the powder at camerareadycosmetics.com/proddetail.php?prod=CRC-CRLoosePowderP20. Butternut suits most people of color unless they are VERY dark.
Most people do not know how to network properly. If you are handing out cards and telling people about yourself and what you do you are not networking as effectively as you could be.
If you walk away from a networking encounter and the other person knows more about you than you know about them, you have probably failed to make a good impression. People like to talk about themselves,what they do, their families, and their hobbies. They would normally rather talk then listen. So ask questions and listen, find out what the other person needs, and take mental notes. Whatever you do, don't name drop, or go on and on about your resume. Nobody cares who you know or who you have worked with in the past.
The real key to networking is that you have to really be interested in the other person and you have to like people in general. If you don't, you might as well stay home because people are intuitive. People know if you really are interested in them and what they do or are just playing the game. How do you like and find an interest in people that you are meeting briefly at a party or event? You have to listen to them, and find common ground. They have problems just like you do. They are trying to make a living just like you are. Whoever you are talking to is someone's child, someone's parent perhaps, someone's best friend, someone's spouse. They have suffered losses, disappointments, tragedies and triumphs just as you have. Keep this in mind when you talk to someone.
When you know a lot about someone and you are interested in them, they feel like they know you. This will result in a memory of you when an occasion comes up where they may need your services. Given two talented choices, who are you going to refer when you have a job to refer someone to? The artist that spent 15 minutes telling you she worked with Lady Gaga, Matt Damon, and the Queen of England - or the artist who knows your childrens' names and your favorite movie?
I'm working on a all male model shoot, something crazy like 15 or so. I have done grooming before but this is the first time that I will be working with such an exclusive amount of male models. I don't want to miss anything.
So, the question is what are the must haves for grooming kit with the amount of models mentioned? I did a search and nothing came up. I appreciate your time and I don't mean to impose.
Hi, thank you for the compliment. I do a lot of men’s grooming and I carry the following:
I hope this helps and good luck on the job, it sounds like you will only be able to powder and comb the hair if you have to do this in a short amount of time.